WELL DONE GROGU…

A MANDALORIAN FAN FILM

I wrote, directed, and created this short film to explore real-time filmmaking and character creation workflows using Unreal Engine 5.4. All characters—aside from the Mandalorian—were sculpted and built from scratch, including custom rigs, textures, and grooms, allowing for a fully in-engine cinematic pipeline from concept to final render.

MONSTERS AT WORK  ENVIRONMENT BUILDS AND FLY-THROUGHS

While working as a 3D Asset and Previs Artist on Disney’s Monsters at Work Season 2, I created a series of Unreal Engine environment flythroughs to help visualize key sequences before animation. I also modeled and textured most of the environments and assets featured in these scenes. These real-time previews gave the team an early look at shot composition, pacing, and set design—bringing Monstropolis to life with dynamic camera moves and cinematic storytelling.

MOANA 2 KAI THE WAVE CHARACTER BUILD UNREAL ENGINE 5.5

I created this wave character for Moana 2 in collaboration with Walt Disney Studios. Sculpted in ZBrush, then rigged in Blender, the wave was brought to life inside Unreal Engine 5.5, where I handled custom shader development, environment design, and cinematic lighting. The goal was to craft a character made entirely of water — expressive, interactive, and visually rich — using a real-time pipeline that blends artistry with technical performance.

REAL-TIME CHARACTER BUILDS

INSIDE OUT 2

I created these real-time versions of the cast of Inside Out 2 on contract with The Walt Disney Studios. Each character features custom texture based particles, groom and physics, which I created in Unreal Engine 5.5. These were the first real-time characters ever approved by Pixar.